Musical continuity
Nothing bumps like a Soundbooth LitRPG cinematic immersion. Josh Cook's music is noticeably different than Aaron J. Morton's which I'm used to from Kaiju, Dungeon Crawler Carl, Seance, and other such programs here, but it's still beautifully placed within and around the dialogue and action. The music has brief moments of complexity, especially in this episode, and it's repetitive: I think not quite as good as Morton's music when standing on its own. Yet somehow, Cook, Reid and Starclad make the entire production into a singular musical piece, with more continuity to its crecendo than any of the Aaron J. Morton scored programs can boast. That continuity, even at the price of repetitiveness, gives this a slow and steady build, almost like the Hall of the Mountain King. If you liked the rich production values of Dungeon Crawler Carl immersion tunnel and don't want the tasteless horror in Kaiju: Battlefield surgeon, this is for you. Honestly, this is good for anyone who likes black cats, regardless of all other factors.